https://yuhchyiliou.tw/header 2026-02-23T14:19:46+00:00 always 0.5 https://yuhchyiliou.tw 2026-02-24T10:21:09+00:00 always 0.5 https://yuhchyiliou.tw/design-work 2026-02-24T11:02:55+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2568876569740734413269085489805/0423.png https://freight.cargo.site/t/original/i/C2568876569648500692900537731725/0419.png https://freight.cargo.site/t/original/i/O2665418915915934902410383493773/0417_-1--29.mp4 https://freight.cargo.site/t/original/i/B2665431492426429011666226940557/-_-.mp4 https://freight.cargo.site/t/original/i/C2665442418562071078349615958669/aeea_ce_Ac_0913.jpg https://freight.cargo.site/t/original/i/E2665444771554958144445181889165/aaaa-2-3.jpg https://freight.cargo.site/t/original/i/B2809207803686388342736497183373/_.png https://freight.cargo.site/t/original/i/L2809213453462929518129418373773/_2.png https://freight.cargo.site/t/original/i/N2809285719984790824899799976589/R0010276.jpg https://freight.cargo.site/t/original/i/Z2810525516246145366272040012429/V001522_CHBEPRN00087_0020_001-2.png https://freight.cargo.site/t/original/i/O2810525516283038854419459115661/V001522_CHBEPRN00087_0020_001b2.png https://freight.cargo.site/t/original/i/I2810525516264592110345749564045/V001522_CHBEPRN00087_0020_001b1.png https://freight.cargo.site/t/original/i/I2810574984307878766891612539533/A1poster.jpg https://freight.cargo.site/t/original/i/U2810584632563771871419522910861/BIGDAY_posterB1685x2385px.png https://freight.cargo.site/t/original/i/K2810584701960423076714856090253/BIGDAY_posterA1685x2385px.png https://yuhchyiliou.tw/project 2026-02-24T11:52:16+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2568876569740734413269085489805/0423.png https://freight.cargo.site/t/original/i/X2809262274726475462270982589069/yyin_scan_P1112.jpg https://freight.cargo.site/t/original/i/O2809262274763368950418401692301/yyin_scan_P0102.jpg https://freight.cargo.site/t/original/i/U2809262274744922206344692140685/yyin_scan_P0708.jpg https://freight.cargo.site/t/original/i/G2809262274708028718197273037453/yyin_scan_P1516.jpg https://freight.cargo.site/t/original/i/N2809262274689581974123563485837/yyin_scan_P2526.jpg https://freight.cargo.site/t/original/i/Z2809306219371864592408062495373/_forweb-03.png https://freight.cargo.site/t/original/i/B2809306287809285105870498990733/_forweb_-1-.png https://freight.cargo.site/t/original/i/A2809306352538910060517315611277/_forweb_-1--7.png https://freight.cargo.site/t/original/i/D2809307092972770435145007925901/__RGB.jpg https://freight.cargo.site/t/original/i/V2809307202989152090748773763725/-1.mp4 https://freight.cargo.site/t/original/i/P2810539960637050891209660992141/V001522_CHBEPRN00087_0022_001-1.png https://freight.cargo.site/t/original/i/K2810587579744732295773455944333/.jpg https://freight.cargo.site/t/original/i/Z2810649012327778416260787505805/newedit.png https://yuhchyiliou.tw/words 2026-03-02T15:37:21+00:00 always 0.5 https://yuhchyiliou.tw/catalog 2026-02-27T14:23:34+00:00 always 0.5 https://yuhchyiliou.tw/ecal-1 2026-02-24T11:39:07+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2807645904934499759330774780557/01-diacritics.png <div style="text-align: center">Diacritics in order from Ambiant typeface, designed by Laura Csocsán.<br /> <br /> </div> https://freight.cargo.site/t/original/i/G2807662294276313439908679944845/02-laura-csocsan-cedilla-3000x0-c-default.jpg Two possibilities for the design of the cedilla shown in Verdana and Univers.<br /> <br /> https://freight.cargo.site/t/original/i/F2807674996040199809652378864269/03-laura-csocsan-pierredufresne-debiasio-3000x0-c-default.jpg Pierre Dufresne, Debiasio logo, panamapapersoffice.com.<br /> <br /> https://freight.cargo.site/t/original/i/C2807675048502739955282343660173/04-laura-csocsan-benoitbodhuin-elastik-3000x0-c-default.jpg Benoît Bodhuin, Elastik typeface, bb-bureau.fr. https://freight.cargo.site/t/original/i/I2807675129115011557393084222093/05-laura-csocsan-openstudio-maxeville-3000x0-c-default.jpg Open Studio, SM Maxéville typeface, openstudio.com.<br /> <br /> https://freight.cargo.site/t/original/i/J2807675211313703149842846222989/06-laura-csocsan-martingroch-3000x0-c-default.jpg Martin Groch, MeetFactory Poster, martingroch.tumblr.com. https://yuhchyiliou.tw/ecal-2 2026-02-24T11:39:08+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2807645904934499759330774780557/01-diacritics.png <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/F2807674996040199809652378864269/03-laura-csocsan-pierredufresne-debiasio-3000x0-c-default.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/C2807675048502739955282343660173/04-laura-csocsan-benoitbodhuin-elastik-3000x0-c-default.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/I2807675129115011557393084222093/05-laura-csocsan-openstudio-maxeville-3000x0-c-default.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/J2807675211313703149842846222989/06-laura-csocsan-martingroch-3000x0-c-default.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/H2809049929662203717268652460685/1-cover.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/C2809051200642870395856758803085/01-amelie-gallay-essay-3000x0-c-default.jpg Figure 1. Italic M and its swash counterpart. Robert Slimbach, Adobe Garamond Pro, Adobe, 1989.<br /> <br /> https://freight.cargo.site/t/original/i/F2809052854116775442812417903245/3-operina.jpg Figure 2. Spread from La Operina, Ludovico Vicentino degli Arrighi, Rome, 1522.<br /> <br /> https://freight.cargo.site/t/original/i/F2809052915876474601591996713613/4-operina-closeup1.jpg Figure 2. Spread from La Operina, Ludovico Vicentino degli Arrighi, Rome, 1522. https://freight.cargo.site/t/original/i/I2809052975311884007084172020365/5-operina-closeup2.jpg Figure 2. Spread from La Operina, Ludovico Vicentino degli Arrighi, Rome, 1522. https://freight.cargo.site/t/original/i/T2809056833725108184542535781005/6-bookmanmeola.jpg Fgure 3. Unknown designer (maybe Herman Spinadel), Bookman Meola, New York, c. 1970.<br /> <br /> https://freight.cargo.site/t/original/i/Z2809056899838238944717568772749/7-bookmanmeola-closeup.jpg Figure 3. Unknown designer (maybe Herman Spinadel), Bookman Meola, New York, c. 1970. https://freight.cargo.site/t/original/i/N2809111452007106500426662185613/8-helveticaflair.jpg Figure 4. Phil Martin, Helvetica Flair, New York, 1969. https://freight.cargo.site/t/original/i/S2809111518876553767623786793613/9-helveticaflair-closeup1.jpg Figure 4. Phil Martin, Helvetica Flair, New York, 1969. https://freight.cargo.site/t/original/i/R2809111588125631020329443560077/10-helveticaflair-closeup2.jpg Figure 4. Phil Martin, Helvetica Flair, New York, 1969. https://freight.cargo.site/t/original/i/H2809112415775697375455895915149/11-universflair.jpg Figure 5. Phil Martin, Univers Flair, New York, 1970s.<br /> <br /> https://freight.cargo.site/t/original/i/W2809112478937349083837400648333/12-universflair-closeup1.jpg Figure 5. Phil Martin, Univers Flair, New York, 1970s. https://freight.cargo.site/t/original/i/L2809112535236811996798952180365/13-universflair-closeup2.jpg Figure 5. Phil Martin, Univers Flair, New York, 1970s. https://yuhchyiliou.tw/ecal-3 2026-02-24T21:58:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2807645904934499759330774780557/01-diacritics.png <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/T2809056833725108184542535781005/6-bookmanmeola.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/Z2809056899838238944717568772749/7-bookmanmeola-closeup.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/N2809111452007106500426662185613/8-helveticaflair.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/S2809111518876553767623786793613/9-helveticaflair-closeup1.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/R2809111588125631020329443560077/10-helveticaflair-closeup2.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/H2809112415775697375455895915149/11-universflair.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/W2809112478937349083837400648333/12-universflair-closeup1.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/L2809112535236811996798952180365/13-universflair-closeup2.jpg <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/B2810621003234298753446643010189/texting-011.png <div style="text-align: center"> <br /> <br /></div> https://freight.cargo.site/t/original/i/L2810623989596143590359663676045/texting-02.png ‘Question: What language do you think in? Answer: […] Well look sometimes… I mean if I’m just thinking randomly? No, Arabic of course.’<br /> <br /> https://freight.cargo.site/t/original/i/Q2810626409052649554030744078989/texting-0777.png <br /> https://freight.cargo.site/t/original/i/K2810628475899642548743745342093/texting-088.png Lebnaan newspaper using Said Akl’s codified Lebanese alphabet.<br /> https://freight.cargo.site/t/original/i/Z2810628832253844564664863459981/texting-05.png Character set for the Lebanese Arabic taken from Lebnaan, (letters not found as boxed x).<br /> <br /> https://freight.cargo.site/t/original/i/Y2810630350789816712435152489101/texting-06.png A Lebanese Arabic chat alphabet chart.<br /> <br /> https://freight.cargo.site/t/original/i/E2810630411885433084561187441293/texting-07.png An example of how the word ‘Arabic’ is applied to the Arabic chat alphabet. https://yuhchyiliou.tw/ecal-4 2026-03-02T15:37:20+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2807645904934499759330774780557/01-diacritics.png <div style="text-align: center"> <br /> </div> https://freight.cargo.site/t/original/i/F2807674996040199809652378864269/03-laura-csocsan-pierredufresne-debiasio-3000x0-c-default.jpg <div style="text-align: center"> <br /> </div> https://freight.cargo.site/t/original/i/C2807675048502739955282343660173/04-laura-csocsan-benoitbodhuin-elastik-3000x0-c-default.jpg <div style="text-align: center"> <br /> </div> https://freight.cargo.site/t/original/i/I2807675129115011557393084222093/05-laura-csocsan-openstudio-maxeville-3000x0-c-default.jpg <div style="text-align: center"> <br /> </div> https://freight.cargo.site/t/original/i/J2807675211313703149842846222989/06-laura-csocsan-martingroch-3000x0-c-default.jpg <div style="text-align: center"> <br /> </div> https://freight.cargo.site/t/original/i/T2815582945865041753702764677773/tools-makes-shapes-4.jpg <div style="text-align: center"> <br /> </div> https://freight.cargo.site/t/original/i/M2815587049712195831866712689293/1.jpg The construction proposed by Noordzij in his book <i>The Stroke</i>.<br /> <br /> https://freight.cargo.site/t/original/i/L2815590003829132027935437130381/tools-makes-shapes-01.jpg <i>Scanner</i>, by Sylvain Esposito and Leonardo Azzolini (2013) examines writing with both hands, with all strokes written in the direction of a flatbed scanner’s sensor.<br /> <br /> https://freight.cargo.site/t/original/i/G2815590532033201834534738102925/tools-makes-shapes-4-1.jpg Sometimes a found tool is all it takes: the combination of rubber roller, viscous ink and the range of movement of the arm restricts the possibility of movements and creates nice construction. Project of Ondřej Báchor, Eliott Grunewald, and Davide Tomatis, 2016.<br /> <br /> https://freight.cargo.site/t/original/i/H2815591552931359105842453187213/tools-makes-shapes-3.jpg Calligraphy as team-building exercise: since all either of the two ‘writers’ can do is pull the writing tool towards one of the corners, this alphabet comes with its own meta-language to enable the required teamwork. Project of Kyung Jin Lee, Quentin Coulombier, and Luca Pellegrini, 2017.<br /> <br /> <br /> https://freight.cargo.site/t/original/i/G2815591639465035555613959817869/tools-makes-shapes-5.jpg Tools make shapes, drawing in sand. Project by Simona Alina Andone, Chiachi Chao, Alberto Malossi, 2020.<br /> <br /> https://freight.cargo.site/t/original/i/P2815592487738561785147690879629/tools-makes-shapes-6.jpg <i>Spin</i>, by João Varela, Weichi He, and Arnaud Chemin (2018) develops from rotation contrast to spiro-contrast, and the carefully designed hardware is only a stepping stone to formalising the idea into the carefully designed software that created the digital typeface.<br /> <br /> https://freight.cargo.site/t/original/i/Z2815593531344661011191864003213/Tools Makes Shapes, MATD 2021 360° Speedmob choreography by Raphaela Haefliger, Laura Csoscán and Dominik Bissem.<br /> <br /> https://yuhchyiliou.tw/ecal-5 2026-03-02T15:37:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2807645904934499759330774780557/01-diacritics.png <div style="text-align: center">Photo by Sarah Koeke.<br /> <br /> </div> https://freight.cargo.site/t/original/i/S2820453894691765864662027766413/cover-iron.jpg <div style="text-align: center">Photo by Sarah Koeke.<br /> <br /> </div> https://freight.cargo.site/t/original/i/Q2820455371851691055101792520845/ecal-typefaces-iron-2-1.jpg First trial with hair brush from the ‘lazy line’ concept.<br /> <br /> https://freight.cargo.site/t/original/i/U2820455442871655738883566242445/ecal-typefaces-iron-2-2.jpg First trial with hair brush from the ‘lazy line’ concept.<br /> <br /> https://freight.cargo.site/t/original/i/W2820456458291130020299544496781/ecal-typefaces-iron-32.jpg To implement lazy-line’s calligraphic movement, ‘bearing’ was the key factors which can help rotating axis. https://freight.cargo.site/t/original/i/O2820459230320255464781284936333/ecal-typefaces-iron-4-1.jpg Trial of free sketches to figure out how Irón generates shapes.<br /> https://freight.cargo.site/t/original/i/R2820460725023034269318833277581/ecal-typefaces-iron-5-11.jpg Creation of a code following the logic of the pen.<br /> <br /> https://freight.cargo.site/t/original/i/J2820460806612983307336180075149/ecal-typefaces-iron-5-2.jpg Creation of a code following the logic of the pen.<br /> <br /> https://freight.cargo.site/t/original/i/N2820462680341012594383885470349/ecal-typefaces-iron-6-1.jpg Possibilities of the shapes: when different approaches to sketches are digitalized.<br /> <br /> https://freight.cargo.site/t/original/i/G2820462753961968192558705969805/ecal-typefaces-iron-6-2.jpg Possibilities of the shapes: when different approaches to sketches are digitalized.<br /> <br /> https://freight.cargo.site/t/original/i/Z2820464665450482598489863522957/ecal-typefaces-iron-8.jpg Writing manual shows how letters were constructed based on a defined logic. Some refinements were required to polish broken parts by the intersections of the two pens.<br /> <br /> https://freight.cargo.site/t/original/i/M2820464763716288279140644981389/ecal-typefaces-iron-8-1.jpg Writing manual shows how letters were constructed based on a defined logic. Some refinements were required to polish broken parts by the intersections of the two pens. <br /> https://freight.cargo.site/t/original/i/G2820464828870188347482781289101/ecal-typefaces-iron-8-2.jpg Writing manual shows how letters were constructed based on a defined logic. Some refinements were required to polish broken parts by the intersections of the two pens. https://freight.cargo.site/t/original/i/K2820464916768923858708794739341/ecal-typefaces-iron-8-3.jpg Writing manual shows how letters were constructed based on a defined logic. Some refinements were required to polish broken parts by the intersections of the two pens. https://freight.cargo.site/t/original/i/Z2820465799888349643479868803725/ecal-typefaces-iron-7-2.jpg Final characters and pages from the specimen.<br /> <br /> https://freight.cargo.site/t/original/i/P2820465897674539978214201920141/ecal-typefaces-iron-9-1.jpg Final characters and pages from the specimen.<br /> <br /> https://yuhchyiliou.tw/dont-show-me-anything-in-the-phone-anymore-theres-nothing-i-need-to-know-thats-in-the-phone-show-me-a-birds-eye,-a-childs-smile--1 2026-03-02T15:37:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2656244422198405490727590857357/000037350010.jpg https://freight.cargo.site/t/original/i/L2656246657003003276566059584141/000037350001.jpg https://freight.cargo.site/t/original/i/C2656247355249159954620007352973/000037350007.jpg https://freight.cargo.site/t/original/i/K2656256280060643976406722448013/000038520012.jpg https://freight.cargo.site/t/original/i/M2656256720218404319190333557389/000035160004.jpg https://freight.cargo.site/t/original/i/A2656256833260052002882465860237/000035160018.jpg https://freight.cargo.site/t/original/i/V2656257316306492317040784476813/000035160015.jpg